Sounds Good To Me (Mini DAW for Unity)

Key Features

• Multi-Track Timeline Sequencer: Arrange multiple audio clips on a dynamic grid synced perfectly to AudioSettings.dspTime. Features adaptive magnetic grid snapping (bypassed smoothly by holding ALT), intuitive zoom/scroll controls, and seamless clip duplication.
• Advanced DSP Effects Pipeline: Studio-grade processing per track and clip, including Autotune (Pitch Correction using YIN Tracker & OLA algorithms), independent Time-Stretching (0.25x to 2.0x without altering pitch), Reverb, Stereo Delay, Pitch Shifter, and Bi-quad Filters.
• Zero-GC Live Recording & Monitoring: High-performance microphone recording engine that draws live waveforms with 0% heap allocation to prevent editor stuttering. Includes a real-time, low-latency Mic Preview routed.
• Dedicated Clip Inspector: Fine-tune individual audio assets with precision trimming, volume boosting, panning, linear fade-in/out curves, and a chronological audio reversal feature (complete with inverted waveform visualization).
• Smart Audio Pool & Workflow Protection: Quick asset renaming (F2 or double-click) protected by strict input isolation, ensuring that keys like Backspace or Spacebar never accidentally trigger object deletion or timeline playback while you type.
• Master Export with Auto-Focus: Mix down your entire project into a single high-resolution master .wav file. If exported inside the Assets directory, the editor automatically focuses the Project window and highlights the new asset instantly.
• Full Unity Undo/Redo Integration: Every timeline manipulation, clip placement, trimming adjustment, and track setting changes are fully supported by Unity's native Undo system (Ctrl+Z / Ctrl+Y).

Technical Compatibility

• Unity Versions: Unity 2021.3 LTS, 2022.3 LTS, 2023.x, and Unity 6+ (Editor extension only).
• Operating Systems: Windows 10/11, macOS (Intel/Apple Silicon, requires system microphone permissions), and Linux.
• Audio Backend: Built purely on Unity's native audio core. Fully compatible alongside third-party middleware like FMOD or Wwise via final .wav file exports.
• Hardware: Optimized for 44.1 kHz sample rates. Headphones are highly recommended during live microphone monitoring to prevent acoustic feedback loops.